Making Shoji toshio odate pdf Full Version download

Making Shoji toshio odate pdf Full Version download

  I m going to do a Ranma (transom) piece with a diamond or hexagonal structure and asa no ha (hemp leaf) details.   This is my second  jack I needed to remake it to work with my new Benchcrafted tail vise. There are a couple of critical handtool fixtures for this project that I wanted to show here.

  There is a reprint from some fine plans for a jack at the most thoroughly informative website of Alice Frampton (ALF) in the UK:  The miter jack can be used with a plane for a variety of mitered joints, much like the donkey s ear shooting board, which I think a fair number of folks are familiar with.

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It s a tricky joint, and the miter itself is particularly critical for a clean fit I m using my miter jack.   In this case, I m using a paring chisel to define the miter: I m reasonably adept with a saw, but I m not capable of getting anywhere near this sort of surface any other way. I m waiting for the finish to be ready on a couple of planes I m working on, so I ve been planning out a shoji exercise I ve wanted to do for some time.   Where the jack surpasses the donkey s ear, however, is more complicated (and structurally sound) mitered joints like this one, or the secret mitered dovetail. The two wedges of the jack are perfectly mated, and tuned to a dead-accurate 95-degree angle.   The workpiece is clamped between these jaws, and the ramp surfaces act as a jig for the miter work.   This is a fantastically powerful tool for any sort of joint that involves a miter. I think shooting boards are in pretty widespread use by handtool woodworkers, but I m not sure the miter jack is nearly as common which I think is a shame.

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  Here s the joint, ready for assembly: For the frame on the ranma, I m going to use a mitered housed mortise and tenon joint that Toshio Odate describes in.   I ve done a couple of basic shoji in the past, but this will be my first attempt at this complex pattern.   You can see a fantastic example of the pattern in by John Reed Fox, one of my favorite furniture makers.   This is extremely detailed work, and requires a very high degree of precision to execute well.

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